Programme

Current

Sensing Loss

Project

Andrew Merritt

Intertidal Allotment

Project

Cherry Truluck

A Year Long Feast: The Hoo Heddern

Project

Flimsy Works

Ebbsfleet Design Group: Reciprocal Space

Project

Jamie Hamilton

A Mouth In Search Of A Voice

Project

Futurefarmers

Source to Sea (S>S)

Project

Andrew Merritt, Chatpong Chuenrudeemol

Intertidal Exchange

Project

Cherry Truluck

The Hoo Heddern at WHOOP Festival

Event

2026

  • Flimsy Works

    Ebbsfleet Design Group: Reciprocal Pavilion

  • Cherry Truluck

    The Hoo Heddern: A National Dish of Hoo? Community Feast

  • Cherry Truluck

    The Hoo Heddern: Hyperlocal Lunch

  • Cherry Truluck

    The Hoo Heddern: Community Cocktail Party

  • Cherry Truluck

    The Hoo Heddern: Gardeners’ Seed Swap

2025

  • Exodus Crooks

    why live anywhere else?

  • Jas Dhillon

    Words on the Wind

  • Simone Kenyon

    Good Tidings

  • Sam Williams

    The Eel’s Tale

  • The Open Road

  • Sea Like a Mirror

  • Foundations

  • Sahra Hersi

    Wayfinding To Our Memories

  • Cherelle Sappleton & Tom Morris

    Still Waters

  • Savinder Bual

    Ways of Making

  • Ivan Morison

    White Horses

  • Floating U̶n̶i̶v̶e̶r̶s̶i̶t̶y̶ Berlin

    From The Edge Symposium: Reading Group

  • Sam Williams

    The Open Road: The Eel's Tale at Standard Quay

  • Matthew Hatchwell, Sam Williams

    The Eel’s Tale: Creek Walk with Matthew Hatchwell

  • Cement Fields, Three Rivers, Grand Union

    From the Edge Symposium

  • Amaal Said, David Blandy, Sam Williams

    The Open Road: Screening and Q&A at FormaHQ

  • Routes of Wreckage: A Walk and Talk

  • why live anywhere else?

  • Sam Williams

    The Open Road: The Eel's Tale at The Old Synagogue

  • Cherry Truluck

    The Saltmother’s Table: A Coastal Feast

  • Simone Kenyon

    Good Tidings

  • Sea Like a Mirror - Gravesend

  • Sea Like a Mirror - Whitstable

  • Materials Season: Biochar Seed Holder Workshop

  • Materials Season: Rock Pool Ring Workshop

  • Materials Season: Wild Materials

  • RESOLVE Collective & Rana Khazbak

    Ebbsfleet Design Group: Community Researchers

2024

  • Cherry Truluck

    the end is the beginning (is the end is the beginning...)

  • Wetland

  • Ebbsfleet Citizen Archive

  • Charlotte Ginsborg

    Our future, our past, whisper it to me

  • Hannah Rennie, Shepherd Manyika

    Which Way Is Up?

  • Ebb & Flow Part II: Sheppey’s Changing Landscape and Ecology with Ian Bride

  • Eating the Coastline with Frances Tophill

  • Intertidal Allotment: Seagrocers

  • Hannah Rennie, Shepherd Manyika

    From Other Gardens

  • This Must Be the Place

  • Coastal Foraging with Lucia Stuart

  • Adam Chodzko

    The Mysterious Return of the Fleet Spring Heads

  • Coastal Foraging with Lucia Stuart

  • Seaweeds and their Secrets with Ian Tittley

  • Phil Coy

    Grit

  • Ebb & Flow I: Sheppey’s Changing Landscape and Ecology with Ian Bride

  • The Future of Allotments with JC Niala

  • Film Launch: Phil Coy – Grit

2022

  • A line of people, dressed in bright white costumes resembling coral or strange sea creatures, walk across a sandy beach on a bright, hazy day. The beach is littered with stones covered in seaweed, and behind the procession is a large sheer cliff of stone.

    Whitstable Biennale: Afterwardness

  • Webb-Ellis

    This place is a message

  • Harun Morrison

    Spring Creative Lab

  • Anna-Maria Nabirye, nnull, Sarah Craske

    Jerwood WB Artist Attachments

  • Whitstable Biennale

2021

  • Nattsong: Conversation in the Dark

  • Caroline Bergvall

    Sonic Atlas: Nattsong

  • Jasleen Kaur

    The first thing I did was to kiss the ground

  • Nattsong: Live at Turner Contemporary

  • Development Support for Visual Artists

  • Shepherd Manyika

    Do you have Snapchat? Mapping The Fleet

  • Webb-Ellis, We chose the earth (workshop), 2019. Photo: Rosie Lonsdale

    Webb-Ellis

    We chose the earth

  • Webb-Ellis

    Markers

  • Marcus Coates

    Our Time

  • Adam Chodzko

    The Return of the Fleet Spring Heads

  • A hand picks up the ceramic objects, made as part of Alison Cooke's 'Future Archaeology of Ebbsfleet', from a red crate lined with padding..

    Alison Cooke

    The Future Archaeology of Ebbsfleet

  • Lydia Brockless

    Deep Thames // Visit Cretaceous

  • Amy Pennington

    ELIZA

  • Emily Whitebread's 'The Ebbsfleet Elephant' installed at Ebbsfleet International train station. A large glass window is covered by an image depicting the Ebbsfleet Elephant.

    Emily Whitebread

    The Ebbsfleet Elephant

  • Estuary 2021

  • Phil Coy

    Grain

2020

  • Gen Z, trip to OOOMK! 2019. Photo: Jane Packham

    Ania Bas

    Gen Z

  • Film still from Caroline Bergvall : Night & Refuge that features text and images of the participating poets overlaid.

    Caroline Bergvall

    Sonic Atlas: Night & Refuge

  • Film still from Caroline Bergvall : Night & Refuge that features text and images of the participating poets overlaid.

    Sonic Atlas: Night & Refuge

  • Esther Collins, Joinery, 2019. Photo: Marta Martinez

    Dylan Shipton, Esther Collins, Lydia Brockless

    Joinery

  • Savinder Bual

    Artist in Residence

2019

  • Esther Collins, Joinery, 2019. Image courtesy of the artist.

    Kieren Reed

    Raising the Sittingbourne Barn

  • Image: Adam Chodzko, 2018

    Adam Chodzko

    Artist in Residence

  • John Walter

    Artist in Residence

  • Rebekah Ubuntu, Afrofuturism & Chill, 2019. Photo courtesy of the artist

    Rebekah Ubuntu

    Afrofuturism and Chill

  • Textplosion 1, stick up by Swan Nemesis, October 2018. Image courtesy of Dipesh Pandya

    Dipesh Pandya

    Artist in Residence

2018

  • Ania Bas, Kit Caless, Sally O’Reilly

    A New Career In A New Town

  • Adam Chodzko, Ash Walks, 2018. Photo: Rosie Lonsdale

    Ash Walk #3

  • Ash Walks, Marcus Coates and Fiona MacDonald : Feral Practice, 2018. Photo: Matthew de Pulford

    Ash Walk #4

  • Ash Walks, Marcus Coates and Fiona MacDonald : Feral Practice, 2018. Photo: Matthew de Pulford

    Adam Chodzko, Feral Practice, Hannah Lees, Marcus Coates, The Walking Reading Group

    Ash Walks

  • Whitstable Biennale: Swimming Home

  • Walking Reading Group, Ash Walk, 2018. Photo: Rosie Lonsdale

    Ash Walk #2

  • Hannah Lees, Ash Walk, 2018. Photo: Rosie Lonsdale

    Ash Walk #1

2017

  • Stuff Happens Here, Session with Jo Waterhouse, 2016. Photo: Matthew de Pulford

    Esther Collins

    Stuff Happens Here

  • Histories of the Hoo Peninsula, Exhibition at Hoo Library, 2017. Photo: Simon Fowler

    Histories of the Hoo Peninsula

2016

  • John Akomfrah, Mnemosyne, Estuary 2016. Photo: Jon Webber

    Estuary 2016

    Points of Departure

  • Evan Efekoya, A Scare, A Grave, A Phantom, The Extended Play, 2016. Photo: Bernard G Mills

    Whitstable Biennale: The Faraway Nearby

  • Mikhail Karikis, Ain't Got No Fear, 2016 (production still). Image courtesy of the artist.

    Mikhail Karikis

    Ain’t Got No Fear

  • Janice Kerbel

    Artist Walk #4

  • Mike Nelson

    Artist Walk #3

  • Ruth Ewan

    Artist Walk #2

2015

  • Goshka Macuga

    Artist Walk #1

  • Esther Collins, Good Tidings, 2015. Photo: Matt Rowe

    Esther Collins, Matt Rowe

    Good Tidings

2014

  • Laura Wilson, Black Top (Reading), 2014. Image: Bernard G Mills

    Whitstable Biennale: Welcome to the Association Area

2012

  • Performance Klub Fiskulturnik, Yugo Yoga on Whitstable Beach, 2012. Photo: Matt Wilson

    Whitstable Biennale: Speak Nearby

2010

  • Phil Coy, Facade, 2010. Photo: Simon Steven

    Whitstable Biennale: UR-NOW: The Ruins of the Contemporary

2008

  • Chris Yates & Kevin Pawsey, Fleet, 2008. Photo: Simon Steven

    Whitstable Biennale: Performance on Film

2006

  • Ryan Gander, Loose Associations, 2006. Photo: Simon Steven

    Whitstable Biennale: The Waiting Place